Were They Mocking Us?

Revelation of the Method; Dancing Nurses and Police Officers; Mocking Popular Protest; Mockery around the "Vaccines"; Mockery of the People by the British Establishment; Mockery of the Poor

Introduction

In a section titled “Consent is Crucial to the Process,” Michael Hoffmann II (1992, p. 89) writes:

The alchemical principle of the Revelation of the Method has as its chief component, a clown-like, grinning mockery of the victim(s) as a show of power and macabre arrogance. When this is performed in a veiled manner, accompanied by certain occult signs and symbolic words and elicits no meaningful response of opposition or resistance from the target(s), it is one of the most efficacious techniques of psychological warfare and mind-rape.

This might seem somewhat esoteric were it not for the fact that clowns did play a role in the “pandemic.” For example, in the United States and Argentina, health officials inappropriately dressed as clowns to announce “Covid-19” death tolls (Brown, 2020; “El saludo de ‘Filomena,’” 2020).

Ryan Cristián interjected at the time: “No one tries to explain this, no one says, ‘hey!’” (Last American Vagabond, 2020, 49:40). This is consistent with the lack of “meaningful response of opposition” mentioned by Hoffmann II (1992, p. 89), and thus with the idea that the public tacitly consented to the daily theatre of weaponized death statistics.

The Revelation of the Method during “Covid-19” did not stop there, however. There were many examples of the public being mocked for believing the propaganda and the lies.

Dancing Nurses

TikTok videos from around the world in 2020 (e.g. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) showed large numbers of uniformed hospital workers performing highly choreographed dance routines, typically without a patient in sight.

This made a mockery of what the public had been told about the situation in hospitals, which supposedly were on the brink of being overwhelmed by “Covid-19” but demonstrably were not (Hughes, 2024a, pp. 128-133).

The provenance of the videos is a mystery. We are expected to believe that they appeared spontaneously, in the vein of a social media “challenge.” Yet, some of the videos display amazing production quality (e.g. involving drone and steadicam footage) and feature expensive “props,” such as MRI scanners.

When did hospital staff (if indeed they were hospital staff) find the time and equipment to rehearse and film these complex dance routines in the midst of a “pandemic”? Why were they not prioritizing patient care instead?

Which managers signed off on multiple staff members using hospital space and resources at a time when hospitals were meant to be working at or near full capacity? In some cases, who authorised the presence of a film crew on site, and possibly an editor and a choreographer (Engler, 2024)?

A few videos of individual dancing nurses can be found before March 2020 (Andrew, 2020), but nothing like the large-scale productions witnessed during the “lockdowns.” The legacy media claims that their purpose was to keep morale high (Murray, 2020) and to “spread joy” (McCarthy, 2024). The latter article was published on April Fool’s Day.

In reality, the videos have a depressing, almost surreal quality about them and were clearly “inappropriate and even sexually suggestive,” threatening to “damage the professional image of nurses and downplay the seriousness of the [...] pandemic” (Lancaster et al., 2022). So, what was their real purpose?

To the extent that certain videos may have been authentic, were hospital staff bored? Did they find an innovative way of exposing government and media lies about hospitals potentially being overrun in a way that could not be classed as career-threatening whistleblowing?

Or, were at least some of the videos orchestrated from above, like the dancing nurses who performed at the White House in December 2021 (Reyes, 2021)?

Who were the nurses in the videos? It is striking that none of them seems to have given an interview or spoken publicly about their experience. In many cases, face masks only added to their anonymity. Were they all real nurses? Or were at least some of the videos stage-managed productions featuring professional dancers dressed as nurses? Were some of the videos AI-generated (Deevoy, 2024)?

Plenty of questions remain about the “dancing nurses.” Nevertheless, the phenomenon seems consistent with Revelation of the Method and mockery of anyone who believed the propaganda about hospitals being at serious risk of being overwhelmed by “Covid-19” patients.

Dancing Police

Similar questions arise with respect to TikTok videos of police performing choreographed dance routines instead of protecting the public (Computing Forever, 2021a, 16:10; Prema, 2020).

Some of these videos were quite elaborate and required significant resourcing, as, for instance, when using drones to film groups of officers dancing in spectacular locations that the public had been banned from visiting.

Had members of the public attempted to do the same thing, they would have been fined, arrested, and potentially beaten by police, judging by the police response to protestors against the “Covid-19 countermeasures” (cf. Broudy et al., 2022).

The dancing police represented another mocking show of power, veiled as a social media phenomenon, again consistent with Revelation of the Method.

One video even included “certain occult signs” (Hoffmann II, 1992, p. 89), such as a masonic checkerboard floor, a pyramid in the background, and a square and compass (Computing Forever, 2021b, 00:50-01:15).

Mocking Popular Protest

On 26 November 2020, amidst mounting concerns over online censorship following YouTube’s 15 October policy on “Managing Harmful Conspiracy Theories,” Klaus Schwab saw fit to take to Twitter for the first time. “Delighted to have joined Twitter,” he wrote. “I look forward to hearing from you here, as we prepare for @wef's #DavosAgenda week, taking place virtually in January 2021. For more info, have a look at its site” (Schwab, 2020).

Here, the WEF Annual Meeting is recast as “DavosAgenda week,” as though to goad those who suspect nefarious intent behind the meeting. It is taking place virtually and thus cannot be interrupted by conventional protest tactics. Despite Schwab ostensibly welcoming public feedback, the comments section was closed. The tweet was clearly designed to mock opponents of the WEF.

A similar theme was evident in the drone display over the Thames on New Year’s Eve 2020 (“London light show pays tribute to figures of 2020,” 2021). Amidst a variety of unsolicited and inappropriate woke messaging involving BLM, the EU, and David Attenborough, the drones at one point spelled out “You’re on mute” along with the “mute mic” symbol, while fake crowd noises played.

It is hard to read this as anything other than mockery of popular protest, which before “Covid-19” was swelling in Paris, Hong Kong, and elsewhere in the world (Wright, 2019). By the end of 2020, mass protests had practically disappeared – or so it seemed before the massive resurgence of worldwide protests in response to the “vaccine” rollout and other “Covid-19 countermeasures” in 2021.

For its 2021 Annual Meeting, the World Economic Forum (2021) released a video titled, “What is the Great Reset? | Davos Agenda 2021.” It included an image of Planet Earth hanging from strings controlled by a puppeteer’s hand.

It also included Schwab’s face on the front page of a fictional newspaper, the Daily News, beneath the headline “Global Elite’s Plan For Your Future.”

The newspaper has been running “since 1928,” a nod to Bernays’ (1928) concept of the “invisible government.” The newspaper article states: “the global elites themselves” have been “quite open” about the “Great Reset,” which is therefore “not a conspiracy theory” but rather “a well-documented movement among many of the world’s most powerful people.” The lie that only a “Trump reelection” can stand in the way of the “Great Reset” (Trump is its arch-facilitator) is also included.

Another fictional newspaper included in the WEF video, the Daily Herald, asks: “Does building back better mean a ‘Great Reset,’ the end of our freedoms, and the dawn of [a] global technocratic state? [...] And could the WEF be the orchestrators of this new secret agenda, striving toward the disintegration of national economies, with history’s biggest recession just around the corner?”

All of this is consistent with Revelation of the Method, mocking so-called “conspiracy theorists” while hiding the truth in plain sight.

The “Vaccines”

The “pandemic” was pure theatre and the “vaccine” rollout was no such thing; both were manoeuvres in the war for technocracy (Hughes, 2024, pp. 223-224, 236-241).

In that context, recall the very deliberate choice of William Shakespeare of Warwickshire as the first man to receive a “Covid-19 vaccine,” in a hospital only 20 miles away from the eponymous playwright’s birthplace, Stratford-Upon-Avon (Suleymanov, 2021). Here, the public was being told, with grinning mockery, that the “vaccine rollout” was pure theatre.

When the “Covid-19 vaccine” rollout reached children in September 2021, the BBC had the gall to warn that “many patients are being prescribed unnecessary and even harmful treatments” and “The more medicines a person takes, the higher the chance that one or more of them will have an unwanted or harmful effect” (“Overprescribing of medicines must stop, says government,” 2021). This was in the context of a “vaccine” rollout, including “mix and match booster shots,” being pushed upon the population, including the most vulnerable, despite generating historically unprecedented levels of serious adverse reactions (MHRA, n.d.; cf. OpenVAERS, n.d.).

On November 9, 2021, UK Health Secretary Sajid Javid announced that all NHS workers (minus exemptions and those with no patient contact) must acquiesce to at least two “Covid-19” injections by April 1, 2022 (Wickware, 2021). The choice of April Fools’ Day reads as more veiled mockery, the hidden message being that anyone agreeing to those terms was a fool. As it turned out, the “vaccine mandate” for NHS workers was not enforced and there was no need after all to take the shots.

Mockery of the People by the British Establishment

Behind the closed doors of 10 Downing Street, parties were taking place in the summer of 2020, free of any “Covid restrictions” (Kottasová et al., 2022). Meanwhile, the public was “locked down” like prisoners, with many people fearful for their lives. The parties made a mockery of “government guidelines” and, thus, of the majority of the population that believed it was doing the right thing by following those guidelines.

WhatsApp messages leaked by the Telegraph in March 2023 show former Health Secretary Matt Hancock, former Home Secretary Priti Patel, and Cabinet Secretary Simon Case mocking the victims of the very measures they themselves had helped to implement (“We are going to have to get heavy with the Police,” 2023). For example, on February 16, 2021, Case asked: “Any idea how many people we locked up in hotels yesterday?” To which Hancock replied: “None. But 149 [who] chose to enter the country are now in Quarantine Hotels due to their own free will!” Case found this “hilarious,” and salivated over the prospect of seeing “some of the faces of people coming out of first class [flights] into a premier inn shoe box.” A week later, Patel wrote: “OMG, did you see that couple in Derbyshire who got fined for having sex in a layby?!?!?! LOOOOL.” Hancock replied by forwarding a BBC article about a woman being “jailed for coughing at police,” to which Patel responded “Law & order!” Hancock replied “Love it. Also the brilliant border force effort on the Mexican Hen Night.” Evidently, “lockdown” measures were one big joke to these cabinet ministers, and the fact that their messages were leaked means that the public knows it.

The Queen’s Birthday Honours and New Year’s Honours lists in 2021 were a travesty. 19% of the honours were Covid-related (Shennan, 2021). Sarah Gilbert, who pioneered the AstraZeneca “vaccine” that was later quietly withdrawn among reports of blood clotting (Ely, 2021), and which accounted for the lion’s share of serious adverse reactions and fatalities in the UK (MHRA, n.d.), was made Dame Commander, and her Oxford colleagues, including Adrian Hill (KBE) and Andrew Pollard (Knight Bachelor), were also honoured (“Oxford University Academics Recognised,” 2021).

New Year’s Honours were given to: England’s Chief Medical Officer, Chris Whitty (KCB), Chief Scientific Adviser Patrick Vallance (KCB), and Deputy Chief Medical Officer, Jonathan Van-Tam (MBE) – who together sowed fear through their dramatization of SAGE’s consistently unreliable projections in Downing Street press briefings (Spectator, n.d.). The Chief Medical Officers of Wales, Scotland, and Northern Ireland were also knighted. Damehoods were announced for UK Health Security Agency chief Jenny Harries, and MHRA head June Raine, despite the highly questionable role of those agencies in enabling the military-pharmaceutical complex to get its products into tens of millions of people, advancing the biosecurity agenda (Gyngell, 2022).

The greatest mockery of all was the highest possible ranking of knighthood (Knight Companion of the Most Noble Order of the Garter), conferred at the sole discretion of the monarch, upon Tony Blair, who should have been tried long ago for his central role in the illegal war in Iraq. Instead, Blair has remained free to spearhead the push for biometric IDs in Britain, a means of technocratic enslavement. Within days, nearly half a million Brits signed a petition calling for Blair to be stripped of the honour (Phillips et al., 2022), and predictably enough, the Government ignored the petition (cf. Hughes, 2024a, p. 96).

In the autumn of 2022, Matt Hancock, who had presided over the midazolam scandal (see Hughes et al., 2022) and the “vaccine” rollout during his time as Health Secretary, as well as campaigning for assisted dying (Hughes, 2024b, pp. 33-34), ditched his responsibilities towards his constituents to appear on I’m a Celebrity, Get me out of here, a show which normalizes eating insects on the World Economic Forum model (Williams, 2022). The idea that the reputation of this prominent eugenicist could be whitewashed in such cheap fashion was yet another mockery.

Mocking the Poor

When the furlough scheme ended on October 1, 2021, plunging large numbers of people into financial hardship, the BBC chose that very day to run a news report about clown shortages in Ireland, noting that “perhaps some will consider clowning around for a living” (Hugo Talks, 2021). Was this just unfortunate timing, or deliberate mockery of the poor?

Five days later, a £1,040 per annum cut to Universal Credit came into effect, “predicted to drive over 500,000 people below the poverty line” (Stringer, 2021). Tory MP Sir Peter Bottomley chose that very day to reveal the “grim reality” of living on £82,000 plus generous benefits as he asked for a pay rise (Sabin, 2021).

With the UK cost of living crisis biting in 2022, a well-known morning television show trivialized it by offering to pay four months of energy bills in a “spin the wheel” competition, as though “fuel poverty” were the stuff of popular entertainment (“This Morning Competition,” 2022).

Further Examples of Mockery

Health Ministers

Certain health ministers internationally, who themselves appeared far from the model of good health, may have been deliberately chosen for their position to mock anyone willing to follow their dangerous “Covid-19” health guidance, such as avoiding the outdoors, limiting exercise, not seeing friends and family, creating a zone for bacteria to breed around the nose and mouth, and injecting unnecessary, experimental, rushed out substances with inadequate safety data into as many people as possible.

The “Virus”

England’s Chief Medical Officer, Chris Whitty, chose April Fool’s Day in 2021 (with connotations of mockery) to announce that “Britain will treat Covid ‘like the Flu’ in future” (Boyd, 2021) – likely mockery of those who believed in the fairy tale disappearance of influenza in 2020/21, which the CDC (2021) admitted was hard to tell apart from “Covid-19,” “based on symptoms alone” (cf. Hughes, 2024a, pp. 233-236).

Antarctica

In July 2021, following the unexpected reclassification of Portugal from the “green list” to the “amber list” of destination countries the month before (prompting a panicked exodus of holidaying Brits from Portugal to avoid mandatory “quarantine” on their return), British Antarctic Territory, with temperatures in the minus sixties degrees Celsius, and for which a permit was required to visit, was added to the green list (Jamieson & Tidman, 2021). This, too, can be interpreted as mockery: sunny Portugal was off limits for a summer vacation, but Antarctica was fine.

“Freedom Day”

“Freedom Day” in the UK (July 19, 2021) was chosen for announcing the introduction of vaccine passports in nightclubs from September (“Covid: PM's plans for coronavirus vaccine passports in clubs 'an absolute shambles,’” 2021). “Freedom” thus lasted for approximately 17 hours.

Conclusion

It is hard to avoid the impression that the public was being deliberately and repeatedly mocked as part of the “Covid-19” operation. From clowns announcing death tolls to dancing nurses and police officers, from mockery of popular protest to mockery around the “vaccines,” and from Queen’s Honours for “Covid-19” arch-villains to mockery of the poor, the whole thing was one long exercise in mockery.

The idea of a “clown-like, grinning mockery of the victim(s) as a show of power and macabre arrogance,” representing “one of the most efficacious techniques of psychological warfare and mind-rape” (Hoffmann, 1992, p. 89), resonates strongly in that respect. For if “no meaningful response of opposition or resistance” is shown by the public, then consent to the abuse is presumed to have been given, according to this occult code.

As with the various humiliation rituals inflicted upon it, the public needs to get much more streetwise in recognising when it is being deliberately mocked and humiliated, and it needs to stop passively playing along with the abuse.

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